Protected: Worst… Card… Ever.

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Protected: Next sale, an Enterprise script

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What is wrong with people?

There is a Yu-Gi-Oh card going on eBay right now for $25,000. (Auction ends 12/15.)

I don’t care how rare it is or what it does in the game. That’s just sad.

Weekend thoughts

Ocean’s Twelve had some really funny parts, but it wasn’t really a good caper movie. It’s so busy being cute and inscrutable that the we give up on the plot too long before the Big Twists are revealed. Still worth a ticket for the good bits, but don’t expect the coolness of the first one.

Continued musings on the plight of the superhero: if you have a Code Against Killing, but the serial-murdering super-villain you’ve just captured laughs at you and tells you he’ll be back on the street killing people in 6 months – and you know he’s right – what do you do? Break your code and make sure the villain can’t hurt anyone else ever? Or follow your code, knowing that the likelihood is that people will die for your choice?

Morning linkage: This is a keen Smithsonian webpage that allows you to sit in the cockpit of several aircraft, from a Spad to a Mercury capsule, using QuickTimeVR.

Saw the last of the Vulcan arc of Enterprise this weekend – it did not disappoint. As usual, a few quibbles – I’d have like to have gotten farther in the head of the main bad guy, and another character did something stupid for an excruciatingly long time before stopping and admitting he should have known better – but plenty of good stuff. Trip is growing up fast, and it’s great to watch; and the sehlat exchange was classic Vulcan dry humor. “You keep a pet – Porthos.” “Porthos doesn’t try to eat me if I’m late with dinner.” “Vulcan children are never late with dinner.” I’m back to being a regular watcher, I think.

I’ve had a cold or a bug or something for days. Sore throat and stomach issues all week, then weakness Friday and Saturday, and Boom! – Sunday was Drainage and Constant Sneezing Day. This morning, it’s nearly all gone away – I am thankful.

Dare… to Believe You Can Tonight

raininva bought the Director’s Cut of Daredevil the other day, and I realized one of the things that dissatisfied me about the theatrical release. The story arc is almost completely pointless – there is little character growth and almost no resolution to anything. The minor character Joe “Pants” plays gets more growth than anybody, as he considers whether there are things out there more important than his next story.

Some spoily stuff

Protected: Dance, Maverick, Dance!

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Days of Decanting

Happy belated to lekythen and happy birthday to shrewlet!

Devil in the Details

My writing suffers from an issue I’ve had since 3rd grade: I often find settings to be more interesting than plot. I eagerly bought the Atlas of Middle Earth when it came out, enjoy looking up technical speculations on the construction of the Ringworld (or even the Halo), and spend time considering how Hogwarts was built with such odd geometry, and why.

I think I sympathize with the authors of old Dungeons and Dragons game modules in that respect. Many of those old booklets contained fascinating, detailed maps, but the purpose to explore those maps generally centered around “looting”. Recognizing that, I tried to resurrect my old copy of Vault of the Drow as a basis for a campaign a few years back, but I didn’t do enough prep work and the effort failed. A sizeable underground metropolis shouldn’t be a place that the characters pass through with three sentences of description.

Short stories don’t tempt me as strongly to lose myself in world-building: the characters have things to do, and I need to get on with discussing what they’re up to. But a setting for a novel’s resided in my head for almost 15 years, and none of the conflicts I’ve hung on it seem adequate. In fact, many of the plots I’ve considered have a strong derivative aroma, and given my complaints that 68% of the SF/Fantasy section at Waldenbooks is actually the same book with the names and dates moved around, I’d like to make an original contribution to the field.

The work I’m doing for Decipher is having the effect of making me pay more attention to my style, anyway. I’m watching passive voice even more carefully than I had been, and checking out web pages such as Ten Mistakes Writers Don’t See.