Epic Storylines

While thinking of sf/fantasy movies & TV today, it occurred to me that they’re all more ‘fun’ if the fate of humanity hinges on the outcome. That’s hard to do in episodic TV, of course, but Babylon 5 managed it, Deep Space Nine managed it, and Enterprise picked that up by its third season.

It’s in all the fan favorites; The Original Series and The Next Generation didn’t do it often, but when they did (“City On The Edge Of Forever”, “Yesterday’s Enterprise”, “Best of Both Worlds’) It was memorable. The best Trek movies did this: Khan had to be prevented from getting the Genesis Device; the Whale Probe had to be silenced; the Borg had to be prevented from disrupting First Contact).

Of course, the original Star Wars trilogy let us know practically from the opening crawl that ‘humanity’ (i.e., the Rebellion and a pair of leftover Jedi) was gambling everything on Anakin’s twins; and in The Lord of the Rings, the Fellowship knew that if they screwed this up, Middle-Earth was lost. Indeed, in SDF-Macross, the heroes almost blew it, and vast populations of human beings didn’t live to see the end of the series.

This may have been part of the problem with the new Star Wars trilogy, and the first two seasons of Enterprise. There was just no urgency in what the characters did, since we knew, in broad strokes at least, what the eventual outcome was going to be. You can make up for that with compelling character drama, but we didn’t get that either. (I know that Enterprise had a “Temporal Cold War” going on, but it was dull as dirt. We didn’t care until the Xindi zapped Earth.) Voyager eventually became character-driven and somewhat interesting, but might have had far better legs in the beginning if it had tried the Space Battleship Yamato / B5: Crusade formula and had to deal with an urgent need to get home ASAP – whether or not their technology was initially up to it.

Perhaps that’s something the writers of Trek Series 6 should think about. (I don’t doubt there will be a Series 6, next year or 10 years from now.) Make us worried, maybe not from the first episode but before too long. Make us feel like the leads are fighting not just for themselves, but for us or our kids. Give us an investment.

I bet we fans will eat it up.